14ymedio, October 22, 2017
Dissidence Museum in Havana Pays Homage to Poet Juan Carlos Flores
14ymedio, Luz Escobar, Havana, 22 October 2017 – Damas Street in Old Havana awoke Friday to the terrifying image of a man hanging from a balcony. After their fright passed, the residents realized that it was an artistic installation by Amaury Pacheco in homage to the poet Juan Carlos Flores.
The body that hung from a rope opened the exhibition Another Poet Commits Suicide, organized by the Dissidence Museum and the group Omni Zona Franca, in order to remember Flores and reflect on the “tradition of suicide that exists in Cuban culture,” as its organizers explain.
“Some time ago Luis Manuel Otero and Yanelys Nunez [managers of the museum] told me that they wanted pay homage to Flores but we did not encounter the moment and, now, the opportunity presented itself,” explained Pacheco to 14ymedio, minutes before the afternoon’s poetry recital.
Flores, born in 1962, committed suicide in the middle of last year at his house in the Alamar neighborhood after having struggled for several years with depression and psychiatric problems. Among his best known books are Group Portrait, Different Ways of Digging a Tunnel and The Kickback.
Pacheco, who belongs to the Omni Zona Franca Project to which Flores had close ties from its inception, added personal objects belonging to the poet to the exhibition. “I brought his manuscripts, clothes, the rope with which he committed suicide, and some of his other belongings to exhibit,” he explained.
“There were 20 years of friendship, and he embodied the poet his whole life, both in his imagination and in the social space,” emphasizes Pacheco, who believe that Flores’ verses “strongly touch on Cuban social reality.”
Yanelys Nunez, responsible together with artist Luis Manuel Otero for the Dissidence Museum, said that the title of the event is inspired by a text by Rafael Rojas about the death of Flores, an end that requires reflection about the incidence of suicide among Cuban artists.
Nunez recalled, before a dozen attendees, the end of Raul Hernandez Novas, Angel Escobar and “others who died in exile” like Guillermo Rosales and Carlos Victoria. To the list can be added also the writer Reinaldo Arenas and the painter Belkis Ayon.
Readings by poets Ariel Manzano, Cinecio, Osmel Almaguer, Irina Pino and Antonio Herrada began at six sharp in the small room, plus narrator Veronica Vega shared some remarks about the beginning of Omni Zona Franca in Alamar.
Between coffee candies, cigarettes, water, rum and speeches, verses were read loudly in order to overcome the natural bustle of the Belen neighborhood.
For these artists, the homage to Flores is also “a way to rescue those poets important to Cuban history” but whom “the government or institutions render invisible,” Nunez notes.
The artist and curator thinks that these omissions are due to “cultural- or power-level intrigues.” Thus the exhibit Another Artist Commits Suicide permits retaking “those dark areas in Cuban culture.”
The poetry day this Friday, which began with the disquieting performance by Pacheco, closed with a hip hop concert headed by David D’ Omni and other guests. This Sunday the homage to Juan Carlos Flores will conclude with verses and questions, just as did his own life.
Translated by Mary Lou Keel